Michelin MX, TV Commercial, 1983
Press Cutting – Michelin MX, 1983
Sculpture Simulation, Digital Image, 1982
Fractal Landscape, Digital Image, 1982
Set for Magic In The Parks, The Black-E, 1970
Lightshow, 1969
Untitled, Gouache, 1968
Untitled, Drawing, 1967
Chemically Modified Photograph, 1967
Untitled Reconfigurable Painting, Acrylic on Fibreglass, 1966
BIGDIM / 0 10 10 0 0 0 0 200, 120 / 11, 969, Plotter Drawing, 1979
Untitled Computer Assisted Drawing, Plotter Drawing, 1975
Untitled, Giclée Print, 1996
Swimming Pool, Giclée Print, 1996
Orion’s Belt, Giclée Print, 1999
Desert Storm, Giclée print, 1999
Whitesnakes, Giclée Print, 1995
Dreamtime, Giclée Print, 1995
Deluge, Giclée Print, 1995
Three Pages from The Book of Counting, Giclée Print, 1992
Baudot, Giclée Print, 1992
Ooze, Giclée Print, 2000
Labyrinth of The Law, Public Artwork, 2001
Changes, Public Artwork, 2005
Amaze, Public Artwork Proposal, 2007
Carpet Snake, Public Artwork Proposal, 2010
Shot-Blasted Pavers, Public Artwork Proposal, 2008
The New Grammar, Giclée Print, 2008
Gymnasts, Jigsaw, 2024
Untitled, Giclée Print, 2020
The Derivation of Two Unique Cubes, Artist’s Book, 2020
Two Unique Cubes, Giclée Print, 2020
Poster, Giclée Print, 2021
Three Quartets, Giclée Prints on Canvas, 2024
Retrospective – 1966-2022, Exhibition, CAS Gallery, London, 2023 – photo Sean Clark
Jack Ninety 01, Giclée Print, 2024
4^16-0330211203302112-i from the Melbourne Folio, Giclée Print, 2024
Brown & Son: Art That Makes Itself, Waterman’s Gallery, London, 2015, Photo: Oliver King
Tout ajuste tout parce que tout ajuste ce qui est, exhibition at HICA EQ, St Cyr en Pail, France, 2018
Process, Chance and Serendipity: Art That Makes Itself, exhibition at the National Academy of Sciences, USA, 2018
Scouse Roots – a Brown & Son Project, FACT Liverpool, 2016
Untitled Gouache 1974
Wrapping Paper, Giclée Print, 2017
Double Dragon 01, Giclée Print, 2017
Hex Rot 01, Giclée Print, 2015
A’ Hunting of the Quark, Giclée Print, 2006
Cartoon for a Stained Glass Window, Giclé Print, 2000
Brick Bradford in Cyberspace, Giclée Print, 2000
Amaze Amiss, Giclée Print, 2000
My Gasket, Giclée Print, 1999
Gymnasts, Giclée Print, 1997
Untitled Reconfigurable Painting, Acrylic on Cotton Duck, 1977
Night Sky, Giclée Print, 1996
Ceiling Detail from The House of Signs, Giclée Print, 1996
Neighbourhood Count, Laserprint, 1991
Untitled Painting, acrylic on cotton duck, 1978
Blob, GiIcée Print, 1992
Wallpaper, Exhibition, Brisbane Powerhouse, 2001
Chance & Control, Group Exhibition, V&A, London, 2018. Artist’s work centre left.
Some From 4^16, Exhibition at Monash University Gallery, 2006
Untitled, Acrylic on Cotton, 1977
Untitled Interactive, Fibreglass, 1976
Untitled, Oil on Cotton, 1978
Grate, Giclée Print, 2001
Builder/Eater, reconstruction, Digital Revolution at the Barbican, 2014 (1978)
An Example of the Grammar in the Form of a Sand Painting, Giclée Print, 2004
Untitled, Giclée Print, 2005
4^15 – Studies in Perception, MAAP Republic, Southbank Brisbane, 2010
36 Knots for Fu Hsi, Plotter Drawing, 1979
I acknowledge the traditional owners of the land where I live and work:
the Minjungbal people, the Arakwal people, and the Widjabul people of the Bundjalung Nation.
I pay my respects to their elders – past, present and emerging.