Publications are listed by decade: 2020s, 2010s, 2000s, 1990s, and 1980s

2020s

  • Self-Organised Digital Art Communities, Paul Brown, Doreen Rios and Mindy Seu with Pita Arreola, in Pita Arreola, Corinna Gardner & Melanie Lenz eds., Digital Art: 1960s-Now, Victoria & Albert Museum, London / Thames & Hudson, London, 2024, pp. 142-153. (2024)
  • ACM/SIGGRAPH Member Profile: Paul Brown, https://www.siggraph.org/inside-siggraph/member-profiles/profile/?member=paul-brown-2 (2024)
  • The Computer Arts Society and Computer Arts Archive, with Sean Clark, ISEA 2024 Media Archive Stream, Brisbane, 21-29 June. (2024)
  • From Thought-Forms to Art Concret: Tracey M. Benson Interviews Paul Brown, Paul Brown, Tracey M. Benson, Leonardo, MIT Press, (2023) 56 (6): 629–634. (2023)
  • Brave New Worlds, artist’s chapter in Paul Brown: Retrospective 1966-2022, catalogue, Interact, Leicester, UK, May, pp. 6-19. (2023)

2010s

  • Abstraction from Nowhere, chapter in Códigos Primordiais (Primary Codes), ed Caroline Menezes and Fabrizio Poltronieri, Brazil. (2018)
  • Art That Makes Itself and other Generative Beginnings: Paul Brown interviewed by Bronaċ Ferran, Interdisciplinary Science Reviews, special issue The Experimental Generation: networks of interdisciplinary praxis in Britain, 1950-1970, 41:1. (2018)
  • Notes Towards a History of Art, Code and Autonomy, (republication) essay in Interalia Magazine, Issue 23 Code as Muse, April, http://www.interaliamag.org/articles/paul-brown-notes-towards-a-history-of-art-code-and-autonomy/ (2016)
  • Notes Towards a History of Art, Code and Autonomy, chapter in Evolution Haute Couture: Art and Science in the Post-Biological Age – Volume 2, Theory, National Centre for Contemporary Arts, Kalingrad, Russia, August. (2013)
  • Evaluation of Creative Aesthetics, Harold Cohen, Frieder Nake, David C. Brown, Paul Brown, Philip Galanter, Jon McCormack and Mark d’Inverno, chapter in Jon McCormack and Mark d’Inverno (Eds.) Computers and Creativity, Springer, September. (2012)
  • Long Live Cyber Dada, catalogue essay for the exhibition Cyber Dada Retrospective, New Low Gallery, Melbourne, June. (2012)
  • Review of Lost in the Humming Air (Music inspired by Harold Budd), a CD by various artists, ArtsHub, Saturday 24 March, http://performing.artshub.com.au/news-article/reviews/performing-arts/lost-in-the-humming-air-188300 (2012)
  • The Inchworm Revisited, invited essay for Artlink magazine special issue on Pattern and Complexity, Vol. 32 No. 1, March, pp. 28-30. (2012)
  • Review of Crossing Roper Bar, a CD by The Australian Art Orchestra with Young Wagilak Group, ArtsHub, Saturday 11 February, http://www.artshub.com.au/au/news-article/reviews/performing-arts/crossing-roper-bar-187533 (2012)
  • We Are Just Bits, catalogue essay for Lumia – art | light | motion: The Art of Kuuki, State Library of Queensland Gallery, 9 April – 5 June, pp. 5-7. (2011)
  • Desmond Paul Henry, catalogue note in Elaine O’Hanrahan and Claire O’Hanrahan (Eds.), Desmond Paul Henry: Manchester Pioneer of Computer Art, catalogue of an exhibition at The Manchester Museum of Science and Industry, January – April 2011. (2011)
  • Not Intelligent by Design, co-author with Phil Husbands, chapter in Art Practice in a Digital Culture, a volume of Digital Research in the Arts and Humanities, Ashgate, September, pp. 61-92. (2010)

2000s

  • From Systems Art to Artificial Life: Early Generative Art at the Slade School of Fine Art, chapter in White Heat Cold Logic: British Computer Arts 1960 – 1980: An historical and critical analysis, Brown, P, C Gere, N Lambert, C Mason (Eds.), MIT Press – Leonardo Imprint. (2009)
  • Art for Knowledge’s Sake: a review of On New Constructs in Art by Ernest Edmonds, The Art Book, Vol. 16, No. 1, February. (2009)
  • Far from the Main Stream, Proceedings ISEA 08, the International Symposium on Electronic Arts, Singapore, 25 July – 3 August. (2008)
  • The Mechanisation of Art, chapter in Husbands, P and O Holland (Eds.), The Mechanical Mind in History, MIT Press. (2008)
  • The Drawbots, with Bill Bigge, Jon Bird, Phil Husbands, Martin Perris, Dustin Stokes, Proceedings Mutamorphosis, Prague, Czech Republic, 8-10 November. (2007)
  • Eternity’s Sun Rise, catalogue essay for Tumbling Dream Chambers, an exhibition by boredomresearch at the Digital Art Museum, [DAM] Berlin, 7 July – 11 August. (2007)
  • The Idea Becomes a Machine – AI and Alife in Early British Computer Art, Roy Ascott (ed.), Engineering Nature – art & consciousness in the post biological era, Intellect, UK 2006, pp. 229-233, see also Proceedings Consciousness Reframed 2003, below. (2006)
  • The CBI North West Export Award, PAGE 62 – the bulletin of the Computer Arts Society, Northern Hemisphere Autumn. (2005)
  • Creating Mind, Proceedings Altered States Conference, Planetary Collegium, University of Plymouth, UK, July. (2005)
  • Editorial – with Catherine Mason; Re-Searching our Origins, a special two-part issue of Leonardo Electronic Almanac (LEA), MIT Press, Vol. 13, Nos. 4 & 5 April & May. (2005)
  • Relativity Trip, a review of Suzanne Treister’s show Operation Swanlake at Annely Juda Fine Art, London, 20 May – 17 July 2004, RealTime No. 63, Oct-Nov 2004, p. ?? (2004)
  • Depression: The Art Cure?, a review of Mike Stubbs’ show City Strapline Industries at the Baltic Centre for the Arts 27 Mar – 30 Apr ’04, RealTime No. 62, Aug-Sept 2004, p. 30. (2004)
  • The Computer Arts: Origins and Contexts, Proceedings Educators Program, SIGGRAPH 04, Los Angeles, 8-12 August 2004. (2004)
  • A report from the Military Entertainment Complex – SIGGRAPH 2003, review of SIGGRAPH 03, fineArt forum vol. 17, no 12, December. (2003)
  • Recovering History – Critical and Archival Histories of the Computer-based Arts, SIGGRAPH 2003 Electronic Art and Animation Catalogue, San Diego, July, pp. 10-11. (2003)
  • The Idea Becomes a Machine – AI and Alife in Early British Computer Art, Proceedings Consciousness Reframed 2003, University College Wales, Newport, July 2003, published in Roy Ascott (ed.), Engineering Nature – art & consciousness in the post biological era, Intellect, UK 2006, pp. 229-233. (2003)
  • Book Review: It’s Cool to be Real!, Digital Culture by Charlie Gere, FineArt Forum, Vol. 17, No. 5, May/June. (2003)
  • Editorial: Generative computation and the arts, Digital Creativity, Vol. 14, No. 1, pp. 1-2. (2003)
  • Foreword, Linda Candy and Edmonds, E. (Eds), Intersection and Correspondence, Springer April. (2002)
  • Book Review, Sol LeWitt: Incomplete Open Cubes, Nicholas Baume (ed.), FineArt Forum, Vol. 16, No. 11, November. (2002)
  • I Remember Socialism, Computerra #??, May, pp. ?? (in Russian). (2001)
  • Stepping Stones in the Mist, chapter in David W. Corne & Peter Bentley (Eds.), Creative Evolutionary Systems, Morgan Kaufman, pp. 387-408. (2001)
  • Breaking the art & science standoff – a review of the First Iteration Conference, Leonardo, Vol. 34, No. 4. pp. 335-336 (republished from RealTime 36 – below 2000). (2001)
  • A Report from the Bleeding Edge – review of Consciousness Reframed 2000, RealTime 40, Sydney, December/January, pp. 19. (2000)
  • The Digital Performance Archive – Charting Cybertrends in Performance, fineArt forum, Vol. 14, No. 6, June. (2000)
  • Book Review: A View from the Trendy End, a review of Ars Electronica – Facing the Future, in fineArt forum, Vol. 14, No. 6, June. (2000)
  • Design by Committee, a review of SIGCHI 2000, Den Haag 1-6 April 2000, in fineArt forum, Vol. 14, No. 5, May. (2000)
  • Breaking the art & science standoff – a review of the First Iteration Conference, RealTime 36, Sydney, April-May, pp. 31. (2000)

1990s

  • 30 years on – Remembering Cybernetic Serendipity, Outline 6, Brighton, UK, Autumn, pp. 3-5. (1998)
  • Initiation and the Academy, Proceedings ISEA ’98, Liverpool, UK, September, abstract only. (1998)
  • SIGGRAPH 97 – Invasion of the Sillywood, RealTime 24, Sydney, April-May, pp.21. (1998)
  • Emergent Culture, MESH, Issue #12, 1998/99, Experimenta Media Arts, pp. 4-8. (1998)
  • Metamedia y ciberespacio: los ordenadores avanzados y el futuro del arte, chapter in Claudia Giannette (Ed., translator) Ars Telematica: Telecommunicacion, Internet y Cyberespacio, l’Angelot, Associacio de Cultura Contemprania, Barcelona, May, pp. 84-94. Translation of Metamedia and CyberSpace – advanced computers and the future of art, (see 1990). (1998)
  • Networks and Artworks, chapter in S. Mealings (Ed.) Computers and Art, Intellect Press. (1997)
  • The Garden of Virtual Delights, Periphery No. 30, February 1997, pp. 4-6. (1997)
  • Final Report, The Mackay Regional Heritage Network Project, with Helen Tyzack, Department of Communication and the Arts. (1996)
  • Looking at The Ceiling, Imprint – the Journal of the Print Council of Australia, Vol. 31 No. 4, December, pp.21-22. (1996)
  • New Media – an emergent paradigm, Periphery, No. 29, November, pp. 13-15. (1996)
  • Networks and Artworks: the failure of the user-friendly interface, Intelligent Tutoring Media, Vol. 7, No. 2, pp. 57-63, October. (1996)
  • Emergent Behaviour – toward computational aesthetics, Artlink Magazine – Art in the Electronic Landscape, July. (1996)
  • Stéphan Barron, catalogue essay, Telstra Adelaide Festival, April. (1996)
  • Interaction and Emotion – Childhood’s End, Languages of Interactivity Conference, Australian Film Commission, Sydney, April, abstract only. Full paper published on the Languages of Interactivity web site: http://click.com.au/afc/ (1996)
  • Art on the Internet, Broadwalk Magazine, Vol. 2, No. 5, pp.13-14. (1996)
  • Towards the Virtual Museum – will it be “the real thing”, proceedings Communicating Cultures – 2nd National Conference Museums Australia 1995, Brisbane, Australia, November, pp. 90-92. (1995)
  • Art and Artists on the ‘Net, Community Arts News, Cairns, Issue 17, November, pp. 18-19. (1995)
  • The Light Fantastic, MultiCad Magazine, pp. 30-32. November. (1995)
  • Hype, Hope and CyberSpace – pedagogical problems at the digital frontier, Proceedings Intersections 94, Sydney, Australia October, pp. 19-24, reprinted from 1994 – eCAADe 94. (1995)
  • Art on the Internet, Connecting Queensland, Vol. 3, No. 5. August, pp.21. (1995)
  • The UnderNet, CLiCK online magazine. May. (1995)
  • Networks and the Community, Queensland Community Arts Network News, May, pp. 18-19, also reprinted in Community Arts News, Cairns, September/October, Issue 16, pp.18-19. (1995)
  • The Ethics and Aesthetics of the Image Interface, Metro magazine, No. 103, pp. 81-85 (Proceedings of Narrative and Interactivity – below). (1995)
  • Living With the Consequences of Metaphor, Proc. The Filmmaker and Multimedia Conference: Narrative and Interactivity, Australian Film Commission, Melbourne, March, abstract only. (1995)
  • Cargo Cults and Technofetishism – a review of the multimedia proposals in Creative Nation, Media Information Australia, No 74, February 1995, pp. 87-88. (1995)
  • Contributor, Self Promotion Booklet for Visual Artists, Queensland Artworkers Alliance, Brisbane. (1995)
  • Review – ISEA 94, International Symposium on Electronic Art, Eyeline No. 26 summer 1994, December, pp. 7-8. (1994)
  • Hope, Hype, and Cyberspace – or – Paradigms Lost, NAVA Newsletter, December, p. 8. (1994)
  • Hype, Hope and CyberSpace – pedagogical problems at the digital frontier, Proceedings eCAADe 94, The Virtual Studio, pp. 7-12, Strathclyde, Scotland, September. (1994)
  • Hype, Hope and CyberSpace – pedagogical problems at the digital frontier, The 5th International Symposium on Electronic Art, ISEA 94, University of Art and Design, Helsinki, Finland, August. Abstract published in “ISEA 94 Catalogue”, pp. 195. (1994)
  • fineArt forum – a model for public access on the information superhighway, Media Futures Conference, Gold Coast, Centre for Cultural Policy Studies, Griffith University, July. (1994)
  • The Ethics and Aesthetics of the Image Interface, Computer Graphics, ACM SIGGRAPH, ACM, New York. Vol. 28 No. 1 pp28 – 30, February. (1994)
  • An Interdisciplinary Approach to Art and Design Education: Computational Design, The Higher Education Journal (T.H.E.) Vol. 21 No. 5, December, pp. 72-76. (1993)
  • Computational Design at Mississippi State University, ACSA 93, University of North Carolina, 22-23 October, pp. 167-175. (1993)
  • Digital Technology and Motion Pictures, chapter in Ross Harley (Ed.) New Media Technologies, Australian Film, Television and Radio School. pp. 73-98, July. (1993)
  • The Ethics and Aesthetics of Rich Media Interfaces, Abstract only in Proceedings Ed-Media 93, Orlando Fl June. pp 603. Assoc. for the Advancement of Computing in Education. (1993)
  • CyberArts 92, review in Desktop Magazine, pp. 18-21, Australia. February. (1993)
  • CyberArts 92, review in FineMedia, Vol. 1 No. 2, pp.37-39, Germany. January. (1993)
  • Beyond Art, chapter in Clifford A Pickover (Ed.) Visions of the Future – Art, Technology and Computing in the Twenty-First Century, Science Reviews, Northwood UK. pp 193-204. (1992)
  • The Cutting Edge of Creative Technology: CyberArts International ’92, Design World, No. 25, Australia, December. (1992)
  • Multimedia in Context, Design World, No. 25, Australia, December. (1992)
  • Generations, catalogue introduction for an exhibition by Tony Longson at the EZTV Gallery, Hollywood, USA, December. (1992)
  • Performance Time (Design Futures), Creative Review, UK, October. (1992)
  • Brenda Laurel – Navigator of the Electronic Dreamtime, Tech Images Internationales, Vol. 1, France/USA, Sept/Oct. (1992)
  • Barry Tucker in Japan, Design World, No. 24, Australia, August. (1992)
  • Computational Design at Mississippi State University, with Patty Seger, SIGGRAPH Educators Newsletter, Fall. (1992)
  • Reality versus Imagination, SIGGRAPH 92 Visual Proceedings/Art Show Catalog, July. (1992)
  • Desktop video comes of age, MacNews Australia, July, p. 87. (1992)
  • Desktop Multimedia, Media Information Australia, Sydney, Australia, April. (1992)
  • Jack H Davis – A Profile, Design World. No. 23, Australia, April. (1992)
  • In Time for Tomorrow, Design World. No. 23, Australia, April, pp. 44-51. (1992)
  • The Convergence of Reality and Illusion, Proc HiVision 92, Tokyo, Japan, March. (1992)
  • Technology and Survival – a role for the artist, Agenda, Australia, March. (1992)
  • Book Review: Goodbye Gutenberg, a review of Multimedia in the 1990’s by Tony Feldman, CILECT Newsletter, No. 7, March, pp. 7-8. (1992)
  • Showtime in America, MacNews, Australia, February. (1992)
  • Tokyo Online, MacNews. (1992)
  • ModaCAD, Design Editorial. (1992)
  • Future Perfect – Designing Information for People, Design Ink. December. (1991)
  • Designing the Future, MacNews. December. (1991)
  • SIGGRAPH 91 – a Look at Tomorrow, Design Editorial. October. (1991)
  • SIGGRAPH 91 – Welcome to the Pleasure Dome, MacNews. October. (1991)
  • User Illusions, the Desktop and Beyond, Design Ink. September. (1991)
  • Multimedia is the Message, MacNews. August. (1991)
  • Centers? – time to disperse, Panels Proc. ACM/SIGGRAPH 91, ACM, New York, July. (1991)
  • Communion and Cargo Cults, Proc. Second International Symposium on Electronic Arts (SISEA), the Netherlands, May. (1991)
  • Steps Towards the Evolution of a New Medium – Computer Aided Art & Design, (see autumn 1990). Proc. Computer Graphics and Education, Barcelona, Spain, April. (1991)
  • The Flip Side, a regular monthly column for MacNews Australia, March 1991 – 1993. (1991)
  • AUSGRAPH 90 Art & Video Program, review in Artlink Vol 10 #4 pp37. December. (1990)
  • Steps Towards the Evolution of a New Medium – Computer Aided Art & Design. Leonardo Vol. 23 No. 2&3 pp 197-200. Special issue – New Foundations: Classroom Lessons in Art, Science & Technology for the 1990s. (1990)
  • Beyond Art, 21C Vol. 1 No. 1 – the Magazine of the Commission for the Future. October. (1990)
  • Metamedia and CyberSpace – advanced computers and the future of art, chapter in Hayward, P, Ed., Culture Technology and Creativity in the Late 20th Century. Arts Council of Great Britain/John Lebby Press, October. (1990)
  • Ink on paper? You’ve got to be kidding!, The Lithographer, Official Journal of the Victorian Division of the Lithographic Institute of Australia, Vol. 1, No. 1, March, pp. 2-3. (1990)

1980s

  • Art at the Computer Human Interface, Artlink, Vol. 9 No. 4, December. (1989)
  • Preface, The Computer Animation Dictionary by Robi Roncarelli, Springer-Verlag, September. (1989)
  • Art and the Information Revolution, Artlink Vol. 9 No. 4, December (reprint of Leonardo 89, August). (1989)
  • Realism & Computer Integrated Manufacture, chapter in Lansdown & Earnshaw (Eds), Computers in Art Design and Animation, Springer Verlag, August (based on Dec. 87). (1989)
  • Images of Synthesis, Other Pleasures Catalogue, Modern Image Makers Association, Melbourne, August. (1989)
  • Art and the Information Revolution, SIGGRAPH 89 Art Show Catalogue, a special issue of Leonardo Computer Art in Context, August. (1989)
  • It ain’t what you do, it’s the way that you do it, Proc. AUSGRAPH 89. ACGA 1989, July. (1989)
  • SIGGRAPH 88 Review, Computer Graphics Technology, October. (1988)
  • SIGGRAPH – the Art of Science, Computer Images. October. (1988)
  • Let’s Integrate, Computer Images. May. (1988)
  • Computer Aided Art & Design Education at Middlesex Polytechnic, Invited Paper, Proc. NCGA 88, National Computer Graphics Association, Anaheim, CA, USA, March. (1988)
  • Going Dutch with Design, Computer Images. March. (1988)
  • What’s Happening Over There, AV Video, USA, March, pp. 50-54. (1988)
  • A Constipation of Creativity, Invision, February. (1988)
  • A Journey into the Future, Computer Images, January. (1988)
  • Realism and Computer Integrated Manufacture, Invited Paper, Proc. Realism and Visualisation, British Computer Society Displays Group 21st Anniversary Conference, London, December (see also August ’89). (1987)
  • The DIY Route to Success, Computer Images. November. (1987)
  • Computer Graphics: Science for art’s sake?, Direction, November, pp. 49-52. (1987)
  • The State of Animation, Creative Review. October. (1987)
  • Filtering Down Computer Hi-Tech, Audio Visual. October. (1987)
  • Review: Simulation Meets Jelly Modelling, SIGGRAPH technical review, Computer Images, September/October, pp 17-18. (1987)
  • Review: Return of the Art Show, SIGGRAPH art show review, Computer Images, September/October, pp 14-15. (1987)
  • The Inside Perspective, Computer Images. July. (1987)
  • Doodling with digitals, Kuwait Airways Inflight Magazine, pp 23-25. (1987)
  • Animation escapes from the grid, Computer Images. May. (1987)
  • Computer Graphics – where are we now?, Graphics World. May. (1987)
  • Digital Pictures – Representation and Storage, Journal of AudioVisual Media in Medicine. Vol 10 No 2, April. (1987)
  • When bureaus are the best option, Computer Images. March. (1987)
  • Book Review: Portraits in the digital style, Computer Images, January/February, p 52. (1987)
  • Time to sort out the brainstorm, Computer Images. January/February. (1987)
  • Book Review, Composites by Nancy Burson, Richard Carling, and David Kramlich, Computer Images, December. (1986)
  • Foothills of the 21st Century, Computer Aided Art & Design 3 Conference, London, November, published in ACADE Newsletter, Vol. 1, No. 2, 1987. (1986)
  • Australian Market Growing, Pixel computer animation newsletter, Vol 3 No’s 8&9. November. (1986)
  • Specifying CAAD Systems, ACADE Newsletter, Vol. 1, No. 1, Autumn, p. 19. (1986)
  • The:=User*Friendly==Wet_Dream – Creative Imagemaking and Computer Literacy, ACADE Newsletter, Vol. 1, No. 1, Autumn, p. 16. (1986)
  • SIGGRAPH ’86 Review, Creative Review. October. (1986)
  • Sifting the Hard Core, SIGGRAPH ’86 Technical Review, Computer Images, October, pp. 16-18. (1986)
  • Art Show Turns on the Style, SIGGRAPH ’86 Art Review, Computer Images, October, pp. 20-21. (1986)
  • The wizards of Oz: Australian Report, Computer Images. October, pp. 45-47. (1986)
  • Computer Animation in Australia, Proceedings Computer Graphics ’86, London October. (1986)
  • The:=User*Friendly==Wet_Dream – Creative Imagemaking and Computer Literacy, Proc. AUSGRAPH ’86 (Abstract only), Australasian Computer Graphics Association, Sydney, July. (1986)
  • Revolution in the Art Schools, Computer Images. July. (1986)
  • Computers and Special Effects, Gulf Air Magazine. July. (1986)
  • A History of the Computer Arts, Invited Keynote paper, Proc. Electronic Design Conference Brighton Polytechnic, March. (1986)
  • Computer Graphics ’85 Review, Graphics World Magazine, January. (1986)
  • Kaleidoscope on Computer Art, BBC Radio 4 Art’s Magazine, January. (1986)
  • Roadtesting the Aesthedes, Graphics World, November. (1985)
  • …and Pigs Can Fly – Computer Literacy and the Creative Designer, invited paper, Proc. Computer Graphics 85, London, October. (1985)
  • Graphics and Animation, Computer Systems, October. (1985)
  • Quick On The Draw at SIGGRAPH ’85, CADCAM International, October. (1985)
  • Computer Animation Blasts-Off, CADCAM International, October, pp. 8. (1985)
  • SIGGRAPH ’85: The forum for people ‘listening to their imagination”, Graphics World, September/October, pp. 23-28. (1985)
  • Prize Winners in Focus at SIGGRAPH, CADCAM International, September, pp. 10. (1985)
  • Visionary Daze at Art College, AudioVisual, No. 163, July, cover & pp. 26-28. (1985)
  • Book review: Computer Graphics by John Lewell, Computing – the Magazine, July 25, pp. 25. (1985)
  • A Frame by Frame Look at Effects, Televisual, June. (1985)
  • Book review: Soft Computing – Art and Design by Brian Reffin Smith, Computing – the Magazine, June 13, pp. 24. (1985)
  • Book reviews: The ABC of Computer Graphics, Dictionary of Computer Graphics by John Vince and The Computer Graphics Glossary by Stuart W. Hubbard, CADCAM International, March, pp. 38. (1985)
  • Corporate Communications – Preparing for Change, Proc. Computer Graphics User 85, WCGA, London February. (1985)
  • Book review: Laying it on the hemline, Creative Computer Graphics by Annabel Jankel and Rocky Morton and Dictionary of Computer Graphics by John Vince, Creative Review, January pp. 56-57. (1985)
  • Book review: Brave new Al world, The Creative Computer by Donald Michie and Rory Johnston, Computer Systems Magazine, January, pp. 31. (1985)
  • Letter: Why Aesthedes is tarred with a different brush, Direction, No. 42. (1985)
  • Book Review: Hallucinogenic necessity? Computer Art and Graphics by Axel Bruck, Computer Systems, December, pp. 29. (1984)
  • Book Reviews: Computers for Animation by Stan Heywood and Computer Images – state of the art by Joseph Deken, CADCAM International, December, pp. 30. (1984)
  • Low-Cost High-Resolution Computer Animation, invited paper. Proceedings Computer FX ’84 International Conference and Exhibition, Online, London, 9-11 October. (1984)
  • Computer Graphics in Art Education – Catch 22, Proceedings Computer FX ’84 International Conference and Exhibition, Online, London, 9-11 October. (1984)
  • Generation Gaps, Creative Review Magazine. October. (1984)
  • FX ’84: Paul Brown looks at the Computer FX ’84 Conference, Creative Design, September. (1984)
  • Moving Pictures – the State of Play, Creative Design Magazine. August. (1984)
  • Book review: A Programmer’s Geometry by Adrian Bowyer and John Woodwark, CADCAM International, January, p. 26. (1984)
  • Book Review: Fundamentals of Interactive Computer Graphics by J D Foley and A van Dam, CADCAM International, February, p. 27. (1983)
  • The Modulus 8 Series, PAGE 49 – Bulletin of the Computer Arts Society, November. (1981)
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